April 20, 2008 at 11:10 pm · Filed under Culture, Music
After picking up coffee at Farley’s this morning, I went to Aquarius Records to browse through my favorite section of the store, Exotica/Novelty. That’s where I found The Ghost Orchid, a bizarre collection of paranormal voices and sounds recorded on magnetic tape. Curated by the world’s leading EVP researchers, these tracks are known today as examples of Electronic Voice Phenomenon (EVP), or the recorded voices of the otherworld.
Recordings from The Ghost Orchid range in both topic and length, from singing to multilingual responses in English, Latvian, German, or Russian. Often, the recordings are a scrambled combination of several different languages. They were captured in various methods: some came as mysterious appearances on home tape recordings; others were interruptions to public radio broadcasts; and many were direct, shockingly insightful responses to EVP researchers who engaged in dialogue with these so-called “voices”.
Superstitious folly? I couldn’t exactly tell by the cover art alone, but once I started listening to snippets, I became hooked and listened to the entire album. I heard conversations between EVP pioneers and the “voices,” who disclosed answers regarding specific individuals, events, life after death, and even their own origin.
Here’s one example: Friedrich Jürgenson, a painter/singer who enjoyed recording his own singing and that of wild birds, noted that strange noises and voices often appeared when he played the recordings back. After questioning the validity of these occurrences, he suddenly realized that they were no accident when he heard the voice of his (deceased) mother in one playback, saying: “Friedel, can you hear me, it’s mammy…”
Before I give too much away, I’ll stop here and let you pick up your own copy for review. It’s a trippy, unearthly experience which I wouldn’t want to spoil for the rest of you — especially those who are interested in field recordings and found sounds.
Yamaha is sponsoring a free event at 1015 this Friday, April 18, which includes live performances by the likes of Pole, Robert Lippok (of To Rococo Rot), Sutekh, Safety Scissors, and I am Robot. This event will serve as a launch party for a novel instrument that wowed the crowd at SIGGRAPH in 2005: Tenori-On.
A touch-sensitive sequencer with a LED matrix interface, Tenori-On offers a fun way to visually represent music while you make it. It’s easy to create and manipulate loops, manage layers and and even import samples via an SD card slot. Tenori-On looks like a fun piece of gear for live shows too — you can string a few of them together or hook one up to your laptop, mixer, etc. via MIDI. Best of all, friends and audiences can actually see the music progress with the dancing LED lights on the double-sided tablet. Designer Toshio Iwai will give a live demo of the instrument at the party.
I first encountered the work of Bay area artist David Kwan at last month’s LISTEN/VISION 02 event, where I experienced Solaris, an audiovisual piece focused on the diaphanous reverberations of muted light forms.
Kwan, who teaches at Mills College in Oakland, is now taking part of Interplay, a new exhibition at Kala Art Institute in Berkeley:
Terra Firma is a complex video installation deployed by an automated system that “composes” a continuously changing landscape derived from video footage. The footage is generated from four different video sources that project images of empty landscapes to create a single on-site landscape in the gallery. Kwan’s visual continuum of shifting permutations creates a sort of “non-place” suggestive of our own interior psychological space. For the viewer, these images can provoke a nostalgic memory of our archetypal landscape. (description via Kala’s website)
Interplay
Featuring works by: David Kwan, Nora Pauwels, Bartosz Posacki and Steve Reich
April 17 - May 24, 2008
Reception: Thursday, April 17, 6:00 - 8:00 pm
Gallery Talk with the Artists: Tuesday, April 29, 7:00 pm
A great lineup is in store for Yuri’s Night at Nasa Ames. Of note on the audiovisual side is a psychedelic drawing interface installation by Joshua Ott,Ezekiel Honig, and Morgan Packard (see screenshot above).
Other artists like Jon Tejada, Lusine, Deru, and [a]pendics.shuffle will keep the tunes going alongside all of the technological wizardry that one can expect of a Bay area geek spectacle. See you there!
After picking up coffee at Farley’s this morning, I went to Aquarius Records to browse through my favorite section of the store, Exotica/Novelty. That’s where I found The Ghost Orchid, a bizarre collection of paranormal voices and sounds recorded on magnetic tape. Curated by the world’s leading EVP researchers, these tracks are known today as examples of Electronic Voice Phenomenon (EVP), or the recorded voices of the otherworld.
Here’s one example: Friedrich Jürgenson, a painter/singer who enjoyed recording his own singing and that of wild birds, noted that strange noises and voices often appeared when he played the recordings back. After questioning the validity of these occurrences, he suddenly realized that they were no accident when he heard the voice of his (deceased) mother in one playback, saying: “Friedel, can you hear me, it’s mammy…”
