It’s been a while since I’ve posted back here — amidst holiday travels, I’ve been mostly blogging at Logos Graphics. For friends who have been patient with me, a very happy belated new year!
There are works from some of the best known names of the era — El Lissitzky (see his Soviet poster, below), Malevich, Kamensky, even Lenin and Trotsky — though to my great delight, I learned of seemingly countless other groups and their often humorous counter groups:
El Lissitzky, “Beat the Whites with the Red Wedge” (1919)
The somewhat staid Ego-Futurists, mostly in the literary camp, were later superceded by the Imaginists who indulged in long, deeply metaphoric poetry; there were also the painterly Cubo-Futurists, who counted Malevich and Mayakovsky as primary leaders. Then there were the Acmeists, the Suprematists (Malevich at his finest), the Neo-Primitivists, the Rayonists, the Bicosmists, the Luminists, the Electroorganists, the Constructivists and the Productivists.
The funniest groups were the Eggists, who formed as a joke in a newspaper article; the Everythingists, who embraced all styles of expression; and the Nothingists, whose slogan was “Write nothing! Read nothing! Say nothing! Print nothing!”
But these groups seem disappointingly shallow when compared to artists like Iakov Chernikhov, who is worth mentioning here as one of the most imaginative minds in modern architecture — even if his perspective is missing from Baku. Though best known for the Flying City, his body of work (especially his collection of Architectural Fantasies) is well worth a peek.
Iakov Chernikhov, Fundamentals of Modern Architecture (1925-30)
One of the album’s highlights is About Two Squares – A Suprematist Story by El Lissitzky (1920-22), a children’s tale about a red square and a black square. They travel toward a red circle (Earth) and smash into each other, creating abstract forms on Earth.
El Lissitzky, About Two Squares (1920-22)
It’s a futuristic narrative that combines experimental typography with the fun of reading aloud “colour-blocks of Word”… a synesthetic experience from one of the Russian greats! View the entire story here.
Here are a few shots from my trip to the Institute of Contemporary Art (ICA) in Boston over Thanksgiving. From the road, the museum appeared a bit small against the dramatic Boston Harbor, but once inside the layout and scale of exhibitions felt just right.
On the top floor, I fell in love with Tara Donovan’s delicate installations which were made of everyday materials like film, scotch tape, drinking straws and styrofoam cups. The repetitive patterns revealed beautifully organic forms that captured and reflected light in subtle ways, shifting as I walked around them. The photo below is of layered polyester film from Untitled (2008).
June 26, 2008 at 11:41 pm · Filed under Architecture
Remember Archigram, the futuristic, pop-infused collective from the 1960s? The group that dreamed up magical urban environments like the Walking City and the Plug-In City?
It seems like the spirit of Archigram has emerged once again in the 21st century, this time in Dubai. Italian architect David Fisher has designed a 1,378 foot-tall skyscraper with 80 movable floors, each capable of shifting a complete 360-degree revolution around a central column within three hours or less. Dubbed the Dynamic Tower, the new structure will house a luxury hotel, commercial space and private residences:
Despite its behemoth appearance, the Dynamic Tower touts impressive green design principles. Wind turbines located beneath each floor will allow the tower to generate enough power for itself as well as neighboring buildings. An entirely pre-fabricated construction process will further reduce costs, too.
Fisher shows no signs of slowing down; indeed, he’s hoping to take his skyscraper idea worldwide. The tower is scheduled for completion in 2010, but Fisher is already planning similar structures in Moscow and New York.
